Set in 1870's New York, a spinster heiress is courted by a much younger, penniless man, much to the chagrin of her over-protective father, and must decide whether to spend the rest of her life alone, or marry a man who is interested in her only because of her inheritence.
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| Directing | Agnieszka Holland | Director |
| Art | Alan E. Muraoka | Art Direction |
| Directing | Alice Tompkins | Script Supervisor |
| Art | William A. Cimino | Set Decoration |
| Art | Allan Starski | Production Design |
| Production | Roger Birnbaum | Producer |
| Costume & Make-Up | Anna B. Sheppard | Costume Design |
| Production | Julie Bergman Sender | Producer |
| Camera | Jerzy Zieliński | Director of Photography |
| Production | Debra Zane | Casting |
| Editing | David Siegel | Editor |
| Costume & Make-Up | Barbara Lacy | Makeup Artist |
| Lighting | Rodney French | Rigging Grip |
| Visual Effects | Pascal Charpentier | Visual Effects Supervisor |
| Costume & Make-Up | Michael O'Conner | Costume Supervisor |
| Costume & Make-Up | Aaron F. Quarles | Hairstylist |
| Costume & Make-Up | Micheline Trépanier | Makeup Artist |
| Camera | Jim McConkey | Steadicam Operator |
| Directing | Carol DePasquale | Script Supervisor |
| Sound | Ossama Khuluki | Foley |
| Sound | David Melhase | Sound Effects Editor |
| Sound | Derek Marcil | Sound Re-Recording Mixer |
| Crew | Douglas Retzler | Special Effects Coordinator |
| Art | Ellen Sara Popiel | Art Department Coordinator |
| Production | John Strawbridge | Casting Associate |
| Costume & Make-Up | Martha R. Timlin | Set Costumer |
| Lighting | Vojislav Mikulic | Gaffer |
| Sound | Christopher Kennedy | Music Editor |
| Costume & Make-Up | Wayne Herndon | Key Hair Stylist |
| Camera | Richard Merryman | Camera Operator |
| Costume & Make-Up | Mark Burchard | Costume Supervisor |
| Sound | Catherine Harper | Foley |
| Sound | Frank Gaeta | Supervising Sound Editor |
| Editing | Mark L. Levine | First Assistant Editor |
| Costume & Make-Up | Morgan Elliott | Assistant Costume Designer |
| Camera | Joseph E. Gallagher | First Assistant Camera |
| Sound | Javier Bennassar | Sound Effects Editor |
| Costume & Make-Up | Thomas F. Timlin Jr. | Set Costumer |
| Sound | John Ross | Sound Re-Recording Mixer |
| Crew | Elizabeth Aldrich | Choreographer |
| Sound | Andy Hill | Music Supervisor |
| Camera | Ronald Batzdorff | Still Photographer |
| Visual Effects | Christian Guillon | Visual Effects Producer |
| Writing | Henry James | Novel |
| Sound | David Grant | Supervising Dialogue Editor |
| Sound | Patrick Giraudi | Additional Sound Re-Recording Mixer |
| Art | Stephen B. Walker | Property Master |
| Sound | Joseph F. Brennan | Boom Operator |
| Sound | Marilyn Graf | Dialogue Editor |
| Sound | Susan Shin | Dialogue Editor |
| Sound | Tim Boggs | Supervising ADR Editor |
| Sound | Michael Ferdie | Dialogue Editor |
| Art | Lorraine Walker | Property Master |
| Writing | Carol Doyle | Screenplay |
| Sound | Thomas Jones | Dialogue Editor |
| Sound | Jan A. P. Kaczmarek | Original Music Composer |
| Sound | Robert Jackson | Dialogue Editor |
| Art | Michael Davis | Construction Coordinator |
| Crew | Christine Anne Baur | Stunts |
