Berlin, 1923. Following the suicide of his brother, American circus acrobat Abel Rosenberg attempts to survive while facing unemployment, depression, alcoholism and the social decay of Germany during the Weimar Republic.
| Directing | Ingmar Bergman | Director |
| Writing | Ingmar Bergman | Writer |
| Sound | Rolf A. Wilhelm | Music |
| Production | Dino De Laurentiis | Producer |
| Crew | Sven Nykvist | Cinematography |
| Production | Irmi Kelpinski | Casting |
| Editing | Jutta Hering | Editor |
| Art | Werner Achmann | Art Direction |
| Art | Friedrich Thaler | Art Direction |
| Art | Herbert Strabel | Art Direction |
| Sound | Karsten Ullrich | Sound Designer |
| Production | Harold Nebenzal | Line Producer |
| Production | Horst Wendlandt | Executive Producer |
| Costume & Make-Up | Charlotte Flemming | Costume Design |
| Directing | Wieland Liebske | Assistant Director |
| Art | Barbara Freude | Props |
| Art | Harry Freude | Props |
| Sound | Milan Bor | Sound Mixer |
| Sound | Theo Müller | Sound Assistant |
| Sound | Armin Münch | Sound Assistant |
| Sound | Karsten Ullrich | Sound |
| Crew | Karl Baumgartner | Special Effects |
| Crew | Dieter Ortmeier | Special Effects |
| Editing | Petra von Oelffen | Assistant Editor |
| Crew | Chloe Amateau | Dialogue Coach |
| Crew | Alan Blair | Translator |
| Crew | Heino Hallhuber | Choreographer |
| Production | Franz Achter | Unit Manager |
| Production | Georg Föcking | Production Manager |
| Production | Rudolf Geiger | Unit Manager |
| Production | Horst Scheerbarth | Unit Manager |
| Production | Harry Wilbert | Unit Manager |
| Costume & Make-Up | Franz Göbel | Makeup Artist |
| Costume & Make-Up | Babette Juli | Makeup Artist |
| Costume & Make-Up | Susi Krause | Makeup Artist |
| Costume & Make-Up | Raimund Stangl | Makeup Artist |
| Production | Rolf Zehetbauer | Production Designer |
