An assassin forges an unlikely partnership with one of his targets: a woman seeking revenge for the murder of her family.
| Production | Paul Leyden | Producer |
| Directing | Jonathan Mostow | Director |
| Writing | Kevin Wignall | Novel |
| Production | Anthony Rhulen | Producer |
| Editing | Ken Blackwell | Editor |
| Crew | Tony Browne | Armorer |
| Camera | Jack English | Still Photographer |
| Lighting | Viktor Racsek | Rigging Gaffer |
| Sound | Sámuel Csóka | Boom Operator |
| Production | Jimmy Costas | Producer |
| Production | Michael Wexler | Producer |
| Art | Peter Findley | Supervising Art Director |
| Crew | Lucia Foster Found | Aerial Coordinator |
| Camera | Ferenc Szalontai | Key Grip |
| Writing | Michael Ferris | Screenplay |
| Production | Christopher Milburn | Producer |
| Production | John Schwarz | Producer |
| Costume & Make-Up | Philip O'Connor | Costume Supervisor |
| Directing | Liz Briggs | Script Supervisor |
| Costume & Make-Up | Helena Betts | Hairstylist |
| Visual Effects | Ifor Ashton | Visual Effects Producer |
| Sound | Yanti Windrich | Sound Re-Recording Mixer |
| Sound | Peter Hanson | Foley Editor |
| Editing | Abigail McKenzie | Digital Intermediate |
| Production | Mark Bennett | Casting |
| Art | Sarah Miles | Art Department Coordinator |
| Crew | Péter Behan | Armorer |
| Costume & Make-Up | Kata Horváth | Key Costumer |
| Camera | Bart de Haan | Russian Arm Operator |
| Sound | Rob Hughes | Sound Re-Recording Mixer |
| Sound | Jon Johnson | Supervising Sound Editor |
| Camera | John Marzano | Aerial Director of Photography |
| Camera | Tony Jackson | Camera Operator |
| Sound | Dámaso Hernández | Boom Operator |
| Sound | Peter Burgis | Foley |
| Production | Paul Rock | Producer |
| Camera | Márton Miklauzic | Aerial Camera |
| Production | Juan Antonio García Peredo | Producer |
| Production | Sam Worthington | Producer |
| Visual Effects | Tom Cowlishaw | 3D Generalist |
| Costume & Make-Up | Alma Casal | Makeup Designer |
| Production | Tove Christensen | Producer |
| Art | Zsuzsa Kismarty-Lechner | Supervising Art Director |
| Visual Effects | Mike Kelt | Special Effects Supervisor |
| Costume & Make-Up | Ignasi Ruiz | Key Hair Stylist |
| Crew | Adam Goodall | Armory Coordinator |
| Directing | Dóra Simkó | Script Supervisor |
| Camera | György Réder | Camera Operator |
| Visual Effects | Paul Driver | Visual Effects Producer |
| Art | Eniko Orosz | Art Department Coordinator |
| Sound | Paul Carter | Sound Effects Editor |
| Sound | Yann Delpuech | Sound Effects Editor |
| Art | Ian Tully | Set Decoration |
| Writing | John Brancato | Screenplay |
| Camera | José David Montero | Director of Photography |
| Production | Navid McIlhargey | Producer |
| Art | Zsuzsa Mihalek | Set Decoration |
| Camera | Álvaro Carla | Steadicam Operator |
| Production | Gail Stevens | Casting |
| Production | Rebecca Farhall | Casting Associate |
| Camera | Clayton Young | Russian Arm Operator |
| Visual Effects | Andy Burrow | Visual Effects Producer |
| Camera | Attila Pfeffer | Camera Operator |
| Lighting | Octavian Andreescu | Gaffer |
| Art | Tomas Voth | Production Design |
| Sound | Federico Jusid | Original Music Composer |
| Crew | Kitty Bakó | Stunt Double |
| Crew | Bogi Juhasz | Stunts |
| Crew | Tanner Foust | Stunt Driver |
| Crew | Belinda McGinley | Stunt Double |
| Crew | Attila Kosztor | Stunt Double |
| Crew | Seon Rogers | Stunt Coordinator |
| Crew | Matt Sherren | Stunt Double |
| Crew | György Szántó | Stunts |
| Crew | József Kovalik | Stunt Coordinator |
| Editing | Daphne Tychogiorgou | Assistant Editor |
| Crew | Brad Martin | Stunt Coordinator |
| Crew | Gábor Perei | Stunts |
| Crew | Béla Unger | Stunt Coordinator |
| Crew | Tibor Milos Krisko | Stunts |
| Crew | Lee Sheward | Stunt Coordinator |
| Crew | Rob Jarman | Stunt Double |
| Production | Michael Schwarz | Producer |
| Directing | Darrin Prescott | Second Unit Director |
| Crew | Sarah Lochlan | Stunt Double |
