During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.
| Directing | Andrés García Franco | Director |
| Editing | Sabino Alva Pulido | Editor |
| Sound | Michael Nyman | Music |
| Crew | Claudia Covarrubias | Post-Production Manager |
| Production | Olimpia Quintanilla | Executive Producer |
| Sound | Raúl Lavista | Music |
| Crew | Alfonso Mendoza | Cinematography |
| Crew | Jeanette Nader | Post Production Supervisor |
| Writing | Andrés García Franco | Screenplay |
| Editing | Bruno Peláez | Editor |
| Production | Marco Antonio Ruiz | Production Coordinator |
| Production | José Felipe Coria | Producer |
| Production | Andrés García Franco | Associate Producer |
| Production | Cecilia Girón | Post Production Producer |
| Sound | Enrique Ojeda | Sound Designer |
| Sound | Hugo Noriega Valencia | Sound Recordist |
| Sound | Enrique Ojeda | Sound Mixer |
| Crew | Francisco X. Rivera | Post Production Supervisor |
| Costume & Make-Up | Estela Fagoaga | Costume Design |
| Costume & Make-Up | Maricela Estrada | Makeup & Hair |
| Production | Florencia Sandoval | Casting |
| Costume & Make-Up | Mario Zarazúa | Makeup & Hair |
| Sound | Sabino Alva Pulido | Music |
| Sound | Aurora Ojeda Coronado | Sound Mixer |
| Sound | Enrique Ojeda | Sound Recordist |
| Art | Daniela Cruz | Art Direction |