Shadow Stalker outlines the history of Predictive Policing, Digital Identity Theft and the dangers of Data Mining, that uses algorithms, performance and projections to make visible private Internet systems that are increasingly used by law enforcement and promote racial profiling. Drawing on a network of critical thinkers on surveillance and machine learning, Hershman Leeson abstracts the red square zone into a specter that haunts the work. Where one falls on the map in relation to this red square becomes a proxy for who one is-location, a proxy for identity.
Directing | Lynn Hershman-Leeson | Director |
Writing | Lynn Hershman-Leeson | Writer |
Editing | Lynn Hershman-Leeson | Editor |
Production | Lynn Hershman-Leeson | Producer |
Costume & Make-Up | Nina Hollein | Costume Designer |
Camera | Hiro Narita | Director of Photography |
Sound | Javid Soriano | Sound Mixer |
Camera | Javid Soriano | Second Assistant Camera |
Production | Marine Bahet | Co-Producer |
Production | George Rush | Co-Producer |
Costume & Make-Up | Marine Bahet | Makeup & Hair |
Production | Emma Scully | Co-Producer |
Lighting | David Mong | Gaffer |
Editing | Collin Kriner | Additional Editing |
Editing | Erica Jordan | Additional Editing |
Editing | Gary Coates | Color Grading |
Sound | Dan Olmsted | Sound Editor |
Sound | Matthew Young | Music |
Costume & Make-Up | Alexandra Phelps | Wardrobe Assistant |
Costume & Make-Up | Alexandra Phelps | Hair Assistant |
Production | Theadora Walsh | Production Assistant |
Production | Lor O'Connor | Production Assistant |
Camera | Pamela Gentile | Set Photographer |
Crew | Christopher "Doc" Starks | Manager of Operations |
Production | Theadora Walsh | Researcher |
Production | George M. Rush | Attorney |
Visual Effects | Gary Coates | Compositing Lead |