In a small coastal California town, Henry and Nicky are pals from blue collar families with only a short time before they ship off to World War II. Henry begins romancing new-to-town Caddie Winger, believing her to be wealthy. Mischievous and irresponsible, Nicky gets into trouble which forces the other two to become involved, testing their relationship, as well as the friendship between the boys.
Directing | Richard Benjamin | Director |
Writing | Steve Kloves | Screenplay |
Editing | Jacqueline Cambas | Editor |
Production | Wallis Nicita | Casting |
Production | John Kohn | Producer |
Production | Art Levinson | Line Producer |
Production | Alain Bernheim | Producer |
Camera | John Bailey | Director of Photography |
Editing | Nicholas James | Editor |
Costume & Make-Up | Patricia Norris | Costume Design |
Art | David L. Snyder | Production Design |
Directing | Marshall Schlom | Script Supervisor |
Crew | Mike H. McGaughy | Stunts |
Costume & Make-Up | Allan Snyder | Makeup Artist |
Art | Nigel A. Boucher | Leadman |
Sound | Robert Grieve | Supervising Sound Editor |
Art | Jeannine Oppewall | Set Designer |
Art | Frank L. Brown | Leadman |
Directing | Duncan Henderson | Second Assistant Director |
Camera | George R. Schrader | Dolly Grip |
Sound | Nicholas James | Dialogue Editor |
Sound | Rod Rogers | Assistant Sound Editor |
Camera | Al LaVerde | Key Grip |
Camera | Ty Suehiro | Best Boy Grip |
Editing | Mary Andrews | Assistant Editor |
Art | Jerry Wunderlich | Set Decoration |
Sound | Jerry Jost | Sound Mixer |
Art | Matty Azzarone | Assistant Property Master |
Sound | Dody Dorn | Foley Editor |
Camera | Philip D. Schwartz | First Assistant Camera |
Sound | J. Paul Huntsman | ADR Editor |
Production | Art Levinson | Production Manager |
Directing | William S. Beasley | First Assistant Director |
Camera | Robert M. Stevens | Camera Operator |
Lighting | Michael W. Blymyer | Best Boy Electric |
Sound | Michael Tomack | Sound Effects Editor |
Production | Art Levinson | Associate Producer |
Lighting | Ronald W. McLeish | Gaffer |
Crew | Pat Green | Stunts |
Sound | Else Blangsted | Music Editor |
Crew | Richard Calkins | Stunts |
Sound | William Manooch | Sound Recordist |
Sound | Victoria Rose Sampson | Dialogue Editor |
Sound | John Roesch | Foley |
Camera | Bob Apger | Second Assistant Camera |
Costume & Make-Up | Lillian Barb | Hairstylist |
Art | Pat O'Connor | Property Master |
Sound | Pat Suraci | Boom Operator |
Sound | Dennis Drummond | Sound Effects Editor |
Crew | Steven Lambert | Stunts |
Sound | Doreen A. Dixon | ADR Editor |
Sound | Mel Metcalfe | Sound Re-Recording Mixer |
Art | Joe Wood | Construction Coordinator |
Sound | Chris Carpenter | Sound Re-Recording Mixer |
Art | Dan Curry | Title Designer |
Crew | Lou Butera | Technical Advisor |
Production | Sara Romilly | Producer's Assistant |
Production | Elaine Rockett | Producer's Assistant |
Crew | Bruce Bahrenburg | Unit Publicist |
Editing | Bob Noland | Color Timer |
Sound | William L. McCaughey | Sound Re-Recording Mixer |
Crew | Garry Elmendorf | Special Effects |
Crew | Howard A. Small | Transportation Coordinator |
Editing | Ginny Parillo | Negative Cutter |
Crew | Victor Paul | Stunt Coordinator |
Sound | Terry Porter | Sound Re-Recording Mixer |
Production | Chriss Strauss | Producer's Assistant |
Camera | Len Hekel | Still Photographer |
Production | Sherry Lansing | Producer |
Sound | Dave Grusin | Original Music Composer |