A bible salesman finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership as a money-making con team in Depression-era Kansas.
| Writing | Joe David Brown | Novel |
| Directing | Peter Bogdanovich | Director |
| Production | Peter Bogdanovich | Producer |
| Camera | László Kovács | Director of Photography |
| Editing | Verna Fields | Editor |
| Writing | Alvin Sargent | Screenplay |
| Art | Polly Platt | Production Design |
| Sound | Frank E. Warner | Sound Editor |
| Art | James H. Spencer | Set Designer |
| Production | Frank Marshall | Associate Producer |
| Lighting | Richmond L. Aguilar | Gaffer |
| Crew | Bing Crosby | Thanks |
| Sound | Kay Rose | Sound Editor |
| Camera | George Hill | Grip |
| Camera | Dick Colean | First Assistant Camera |
| Costume & Make-Up | Polly Platt | Costume Design |
| Crew | Larry Stewart | Thanks |
| Directing | Gary Daigler | Assistant Director |
| Production | Ralph M. Leo | Production Accountant |
| Art | John P. Austin | Set Decoration |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Crew | Jack Benny | Thanks |
| Directing | Ray Gosnell Jr. | Assistant Director |
| Crew | Marian Jordan | Thanks |
| Crew | Don Wilson | Thanks |
| Sound | Les Fresholtz | Sound mixer |
| Sound | William C. Carruth | Sound Editor |
| Camera | Bobby Byrne | Camera Operator |
| Crew | Rick Fields | Post Production Assistant |
| Directing | Karen Hale Wookey | Script Supervisor |
| Crew | Jim Jordan | Thanks |
| Crew | Dick Powell | Thanks |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Crew | Frank Luther | Thanks |
| Lighting | Paul Caven | Electrician |
| Art | Ed Shanley | Construction Coordinator |
| Production | Gary Chason | Casting Director |
| Art | Mark Wade | Property Master |
| Costume & Make-Up | Rolf Miller | Makeup Artist |
| Production | Francis Ford Coppola | Executive Producer |
