In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.
You can now watch Mr. Holland's Opus online on the following streaming providers in the United States.
| Directing | Stephen Herek | Director |
| Production | Robert W. Cort | Producer |
| Production | Ted Field | Producer |
| Production | Michael Nolin | Producer |
| Sound | Michael Kamen | Original Music Composer |
| Camera | Oliver Wood | Director of Photography |
| Art | David Nichols | Production Design |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Production | Jeffrey Downer | Production Supervisor |
| Sound | Tim Chau | Supervising Sound Editor |
| Sound | Sharon Boyle | Music Supervisor |
| Directing | Adrienne Hamalian-Mangine | Script Supervisor |
| Production | Valerie Mickaelian Kucera | Production Coordinator |
| Crew | Steve Boyum | Stunt Coordinator |
| Costume & Make-Up | Aggie Guerard Rodgers | Costume Design |
| Editing | Trudy Ship | Editor |
| Art | Jan K. Bergstrom | Set Decoration |
| Production | Sharon Bialy | Casting |
| Art | Dina Lipton | Art Direction |
| Costume & Make-Up | Werner Sherer | Key Hair Stylist |
| Costume & Make-Up | Gerald Quist | Makeup Artist |
| Costume & Make-Up | Mary L. Pyanowski | Hairstylist |
| Costume & Make-Up | Susan V. Kalinowski | Hairstylist |
| Costume & Make-Up | Martin 'Vinnie' Hagood | Makeup Artist |
| Camera | Gemma La Mana | Still Photographer |
| Camera | David Luckenbach | Steadicam Operator |
| Camera | William D. Barber | Camera Operator |
| Production | William Teitler | Unit Production Manager |
| Production | William Teitler | Co-Producer |
| Production | Judith James | Co-Producer |
| Production | Patrick Sheane Duncan | Executive Producer |
| Production | Scott Kroopf | Executive Producer |
| Sound | Richard C. Franklin | Supervising Sound Editor |
| Directing | Jeffrey Wetzel | First Assistant Director |
| Art | Alan Locke | Set Designer |
| Art | Alan Manzer | Set Designer |
| Art | Brian Markey | Construction Coordinator |
| Art | Greg McMickle | Property Master |
| Sound | Albert Gasser | Sound Editor |
| Sound | Chris Jargo | ADR Editor |
| Sound | Nils C. Jensen | Sound Editor |
| Sound | David Kern | Sound Editor |
| Sound | Donald J. Malouf | Sound Editor |
| Sound | Earl Sampson | Boom Operator |
| Sound | Thomas Whiting | Supervising ADR Editor |
| Crew | Bob Riggs | Special Effects Coordinator |
| Lighting | James B. Crawford | Chief Lighting Technician |
| Camera | Gene Kearney | Dolly Grip |
| Lighting | Michael Laws | Best Boy Electric |
| Camera | Bob Munoz | Key Grip |
| Camera | Nick Papanickolas | Dolly Grip |
| Costume & Make-Up | Linda Henrikson | Costume Supervisor |
| Editing | Tara Timpone | First Assistant Editor |
| Production | Joanna Guzzetta | Location Manager |
| Sound | Christopher Brooks | Supervising Music Editor |
| Crew | Bruce McDonald | Choreographer |
| Crew | Stephen McLaughlin | Score Engineer |
| Sound | Stephen McLaughlin | Scoring Mixer |
| Writing | Patrick Sheane Duncan | Writer |
