A washed up actor best known for playing the title character in the 1980s detective show "Mindhorn" must work with the police when a serial killer says that he will only speak with Detective Mindhorn, whom he believes to be real.
| Production | Jack Arbuthnott | Producer |
| Directing | Sean Foley | Director |
| Production | Laura Hastings-Smith | Producer |
| Sound | Ben Barker | Supervising Sound Editor |
| Sound | Peter Burgis | Foley |
| Sound | Richard Pryke | Sound Re-Recording Mixer |
| Costume & Make-Up | Kirsty Mcqueen | Makeup Artist |
| Sound | Ben Barker | Sound Designer |
| Sound | Glenn Freemantle | Supervising Sound Editor |
| Costume & Make-Up | Suzie Harman | Costume Design |
| Sound | Graham Sutton | Music Editor |
| Lighting | James Bridger | Gaffer |
| Camera | Ed Clark | Steadicam Operator |
| Production | Olivia Brittain | Casting Assistant |
| Costume & Make-Up | Jacqui Rathore | Makeup Artist |
| Art | Jacqueline Blundell | Assistant Art Director |
| Sound | Thomas Markwick | Boom Operator |
| Sound | Eilam Hoffman | Sound Designer |
| Art | Stella Fox | Set Decoration |
| Production | Colin Jones | Casting |
| Art | Peter Francis | Production Design |
| Art | Sally Black | Set Decoration |
| Crew | Edd Gamlin | Visual Effects Editor |
| Camera | Steffan Hill | Still Photographer |
| Sound | Peter Hanson | Foley Editor |
| Crew | Liam McCartney | Armorer |
| Sound | Zoe Freed | Foley |
| Production | Toby Spigel | Casting Associate |
| Directing | Kriss Landin | Script Supervisor |
| Editing | Mark Everson | Editor |
| Costume & Make-Up | Holly Rosenthal | Costume Supervisor |
| Sound | Jason Swanscott | Foley |
| Editing | Matthew Streatfield | First Assistant Editor |
| Art | Scott Rogers | Property Master |
| Art | Matt Curtis | Title Designer |
| Visual Effects | Noga Alon Stein | Visual Effects Producer |
| Sound | Glenn Freemantle | Sound Designer |
| Costume & Make-Up | Nicole Stafford | Makeup Designer |
| Camera | David Luther | Director of Photography |
| Art | Astrid Sieben | Art Direction |
| Camera | John Craine | Camera Operator |
| Writing | Simon Farnaby | Screenplay |
| Writing | Julian Barratt | Screenplay |
| Production | Gabrielle Tana | Executive Producer |
| Production | Christine Langan | Executive Producer |
| Crew | Louise Seymour | Post Production Supervisor |
| Production | Julian Barratt | Associate Producer |
| Production | Simon Farnaby | Associate Producer |
| Production | Natascha Wharton | Executive Producer |
| Directing | Elaine Mackenzie | First Assistant Director |
| Production | Sian Sutherland | Location Manager |
| Production | Jenny Borgars | Executive Producer |
| Production | Nicky Earnshaw | Associate Producer |
| Production | Carlo Dusi | Executive Producer |
| Costume & Make-Up | Nicole Stafford | Hair Designer |
| Production | Ridley Scott | Executive Producer |
| Production | Steve Coogan | Executive Producer |
| Production | Ed Wethered | Executive Producer |
| Production | Henry Normal | Executive Producer |
| Production | Robert Norris | Executive Producer |
| Production | Jina Jay | Casting |
| Writing | Simon Farnaby | Idea |
| Production | Freya Pinsent | Production Accountant |
| Production | Ivan Dunleavy | Executive Producer |
| Sound | Stevie Haywood | Sound Mixer |
| Production | Dan MacRae | Executive Producer |
| Production | Danny Perkins | Executive Producer |
| Production | James Player | Location Manager |
| Production | Sarah Wheale | Co-Producer |
| Sound | David Holmes | Original Music Composer |
| Sound | Keefus Ciancia | Original Music Composer |
| Crew | Sian Milne | Stunts |
