An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
Directing | Max Ophüls | Director |
Camera | Christian Matras | Director of Photography |
Art | Henri Vergnes | Set Designer |
Writing | Arthur Schnitzler | Theatre Play |
Art | Jean-André d'Eaubonne | Production Design |
Costume & Make-Up | Georges Annenkov | Costume Design |
Art | Charles Merangel | Set Designer |
Writing | Max Ophüls | Adaptation |
Costume & Make-Up | Carmen Brel | Makeup Artist |
Production | Renée Bardon | Unit Production Manager |
Sound | Oscar Straus | Original Music Composer |
Directing | Tony Aboyantz | Assistant Director |
Writing | Jacques Natanson | Dialogue |
Writing | Jacques Natanson | Adaptation |
Production | Sacha Gordine | Producer |
Production | Ralph Baum | Producer |
Editing | Léonide Azar | Editor |
Directing | Paul Feyder | Assistant Director |
Sound | Pierre-Louis Calvet | Sound |
Production | Ralph Baum | Production Manager |
Writing | Max Ophüls | Writer |
Writing | Jacques Natanson | Writer |
Writing | Arthur Schnitzler | Writer |