A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
Directing | George Sidney | Director |
Writing | Dorothy Kingsley | Screenplay |
Writing | Sam Spewack | Theatre Play |
Writing | Bella Spewack | Theatre Play |
Writing | William Shakespeare | Theatre Play |
Production | Jack Cummings | Producer |
Editing | Ralph E. Winters | Editor |
Camera | Charles Rosher | Director of Photography |
Crew | Hermes Pan | Choreographer |
Costume & Make-Up | Walter Plunkett | Costume Design |
Art | Cedric Gibbons | Art Direction |
Art | Urie McCleary | Art Direction |
Art | Richard Pefferle | Set Decoration |
Art | Edwin B. Willis | Set Decoration |
Costume & Make-Up | Sydney Guilaroff | Hairstylist |
Costume & Make-Up | William Tuttle | Makeup Designer |
Directing | George Rhein | Assistant Director |
Sound | Saul Chaplin | Music Director |
Sound | Skip Martin | Orchestrator |
Sound | André Previn | Music Director |
Sound | Conrad Salinger | Orchestrator |
Sound | Cole Porter | Music |
Writing | Cole Porter | Lyricist |
Camera | Alvord Eiseman | Other |
Crew | Warren Newcombe | Special Effects |
Sound | Bobby Tucker | Vocal Coach |
Sound | Douglas Shearer | Recording Supervision |
Sound | Cole Porter | Songs |
Crew | Bob Fosse | Choreographer |
Writing | William Shakespeare | Original Story |