At the end of the 19th century, Shanghai is divided into several foreign concessions. In the British concession, a number of luxurious “flower houses” are reserved for the male elite of the city. Since Chinese dignitaries are not allowed to frequent brothels, these establishments are the only ones that these men can visit. They form a self-contained world, with its own rites, traditions and even its own language. The men don’t only visit the houses to frequent the courtesans but also to dine, smoke opium, play mahjong and relax. The women working there are known as the “flowers of Shanghai”.
Art | Huang Wen-Ying | Art Direction |
Writing | Bangqing Han | Novel |
Directing | Hou Hsiao-hsien | Director |
Sound | Yoshihiro Hanno | Original Music Composer |
Sound | Tu Duu-chih | Original Music Composer |
Art | Huang Wen-Ying | Production Design |
Writing | Chu Tien-wen | Writer |
Editing | Liao Ching-Sung | Editor |
Camera | Mark Lee Ping-Bing | Director of Photography |
Production | Shozo Ichiyama | Producer |
Production | Yang Teng-Kuei | Producer |
Production | Hou Hsiao-hsien | Executive Producer |
Art | Chih-Wei Tsao | Art Direction |
Sound | Yu Teng Hsu | Boom Operator |
Costume & Make-Up | Liao Shu-Chen | Makeup Artist |
Writing | Eileen Chang | Novel |