Since his wife's death, Arthur, a peculiar and severe surgeon, cloisters his teen daughter Lucille inside a strange mansion. Desperate, Lucille tries to commit suicide and ends up with her face completely burned and bandaged. Arthur, with the assistance of his aunt, prepares a weird skin graft in order to give back Lucille a face, a face that resembles his beloved and deceased wife. To take care of her, the father then hires Joan, an attractive nurse with a somber past. Lucille and Joan start a forbidden and passionate love affair.
| Art | Stefan Dickfeld | Art Direction |
| Camera | Iris Bökenheide | Camera Operator |
| Production | Jürgen Brüning | Producer |
| Crew | Caroline Krugmann | Cinematography |
| Sound | Mikael Karlsson | Music |
| Lighting | Sören Salzer | Lighting Artist |
| Costume & Make-Up | Tiffy Schulze | Set Dressing Artist |
| Sound | Gilles Fournier | Sound mixer |
| Sound | Kristian Petersen | Sound Engineer |
| Costume & Make-Up | Robin Nickel | Set Dressing Artist |
| Costume & Make-Up | Sebastian Ellrich | Costume Design |
| Camera | Kirsten Bilz | Camera Operator |
| Camera | Kirsten Bilz | Camera Intern |
| Production | Claus Matthes | Producer |
| Costume & Make-Up | Pascale Jean-Louis | Makeup Artist |
| Crew | Nicholas Fox Ricciardi | Property Master |
| Editing | Maja Stieghorst | Editor |
| Camera | Jean-Claude Pascal | Still Photographer |
| Crew | Ole Voss | Property Master |
| Camera | Alexander Böke | Camera Operator |
| Camera | Tina Künnemann | Grip |
| Costume & Make-Up | Barbara Waid | Set Dressing Artist |
| Camera | Ana Paola Reyes | Camera Intern |
| Crew | Ena Schnitzlbaumer | Production Intern |
| Directing | Maria Beatty | Director |
| Production | Maria Beatty | Producer |
| Production | Abel Ferrara | Producer |
| Costume & Make-Up | Patrycja Postek | Makeup Artist |