The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.
| Directing | Anna Hildur | Director |
| Writing | Iain Forsyth | Writer |
| Writing | Skarphéðinn Guðmundsson | Writer |
| Writing | Anna Hildur | Writer |
| Writing | Jane Pollard | Writer |
| Production | Iain Forsyth | Producer |
| Production | Jane Pollard | Producer |
| Editing | Olly Stothert | Editor |
| Sound | Nick Cathcart-Jones | Sound Re-Recording Mixer |
| Sound | Nick Cathcart-Jones | Sound Designer |
| Sound | Agnar Fridbertsson | Sound Recordist |
| Sound | Abu Alul Montaser | Sound Recordist |
| Sound | Ari Rannveigarson | Sound Mixer |
| Editing | Luis Ascanio | Colorist |
| Production | Anna Hildur | Producer |
| Production | Skarphéðinn Guðmundsson | Executive Producer |
| Sound | Margrét Rán | Original Music Composer |
| Camera | Baldvin Vernharðsson | Director of Photography |
